A cheesy giant monster fight film reminiscent of the Japanese and American giant monster movie genre of the 1950s-1960s.

This is a study in the play of light and shadow on a revolving form. Through backlighting the object, the shot becomes scaleless, and its revolutions push and pull the amount of light.

To create a responsive origami tessellation to alter the tempo of natural light in an environment, thereby affording a slower walking pace for the occupants of that space. The presence of a person below the structure triggers a slow movement, so if someone is in a rush, then they will miss what is happening right above their heads. This structure prompts people to take the time to slow down, look up, and observe what is going on around them.