This is my human emotion piece. I tried to pull the most interesting pieces, the legs and the light on the right side of the frame, and pull out what was most interesting about them. I used a straight, thick, black line as the standing leg, despite both legs being the same size and color in the original image, because this assuredness is what the subject would like to show the world. Over top I placed some smaller, lighter lines with lots of intersections. This is to convey her insecurity, she unsure of where to go. The light on the righthand side is shown as a collection of pale dots. Kandinsky talks a lot about the silence that dots carry, but I think in this collection there is a bit more of a sort of comforting chatter. Because these dots are all the same and in such close proximity, they can be seen as calmly mixing with each other, which creates a similar soothing effect to the dim light in the original image.