These are my compositions for human movement. Similar to the first set of compositions, the horizontal and vertical lines serve the purpose described in the Kandinsky reading. However, in these pieces, I included angular lines in order to emulate movement. Kandinsky described how acute angles give a feeling of activity, while 90 degree angles usually represent calm and sturdiness. Therefore, I use rectangles and straight lines for the motionless subject in the center, while the curves and angles represent all of the movement around him.