In order to recreate these textures, I made a bunch of squares and made them slightly transparent so that they would reveal the appropriate texture behind them.

After creating and positioning all of the geometric shapes, I decided to animate the image. From the start, I knew I would have them slide across the screen along the diagonal that the shapes lie, but I also wanted to give each "group" of objects their own personality by animating some of their components. The effect was different for each group, as it ranged from emulating the firey tail of a rocket to the pulsing movement of a jellyfish.

Ultimately, the animation effect was used to further emulate's Malevich's emphasis on time and space and to give actual motion to the movements implied in the construction of the original potrait.