REFLECTION

It was interesting to look at art that succeeds in spite of being so unashamedly two-dimensional. Art, to me, has always been about expression – a decidedly human, three-dimensional idea. 'Untitled (Red and Grey)' doesn’t convey expression - it provokes it. And it does this with its highly limited dual tone, dual directional palate? I didn’t believe that was possible. 'Untitled' effectively taught me that less is more – the less of the external world that an artist references, the more he leaves to interpretation; by extension, the more he makes room for his viewers to engage in expression.