Moving Niqab and Sample Book

Made by Lama Alfulaij

Inspired by the movement of the muscle wire, I thought about women eating and drinking in public while wearing the niqab. They usually use one hand to lift the niqab away from their face just enough to expose their mouth for the food but not so much where anyone else can see their face. What if you could embed muscle wire into the niqab and have it lift away from the woman's face so that she can have both hands to use to eat and drink?

Created: November 30th, 2018

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Intention

Inspired by the movement of the muscle wire, I thought about women eating and drinking in public while wearing the niqab. They usually use one hand to lift the niqab away from their face just enough to expose their mouth for the food but not so much where anyone else can see their face.

What if you could embed muscle wire into the niqab and have it lift away from the woman's face so that she can have both hands to use to eat and drink?

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Process and/or Research

Outline your approach to the project? What ideas did you generate and how did you refine or reject them? What did you research and explore? What methods or techniques did you use? What tools and technologies were involved?What challenges were encountered and how did you resolve them?


1. Inspired by Di Mainstone and Joanna Berzowska's Scorpions project (http://dimainstone.com/project/skorpions/) which uses muscle wire sewn in 'v' formations to lift small sections of the fabric up. Using this methodology I decided to do a similar formation on the niqab, having multiple 'v' formations on on piece of thicker fabric the center of the niqab (see idea drawing image)

2. After a quick prototype (see prototype 1 image), we realized that it wouldn't be possible to put this on the center, as that's where the nose of the bridge is and it would be really uncomfortable. 

3. We realized we had to create 2 pieces that would lift up above either cheek. This lead to creating the next prototype (see prototype 2 image).

4. I coiled and heated the muscle wire and then flattened it and attached it in a 'v' formation on each flap (see muscle wire flap image).

5. I then sewed on the light silk white fabric that should mimic the niqab fabric across the top of the prototype (see Prototype 3 image).

6. We then drew out the electronics needed for this project as the muscle wire requires heat, which in this case would be in the form of a current, to activate and curl it up (see Circuit drawing with equipment image).

7. Next steps involve soldering and assembling the circuit, coding the Gemma, and testing to see if the muscle wire movement is enough to move the triangle flaps up enough to lift the niqab fabric overlay. 


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Visual Component (Project)

Please see below sketches and prototypes of the project.

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Drawing 1
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Prototype 1
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Prototype 2
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Muscle wire flap
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Prototype 3 front view
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Prototype 3 back view.
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Circuit drawing and equipment needed.
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Visual Component (Sample Book)

Pictures of samples done throughout the class. 

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Reflection

This has been one of my favorite experiences! I absolutely loved this class and can totally see myself doing more of this kind of stuff. I'm excited to incorporate these skills in future projects. I really enjoyed the hands on learning environment we had, and found the 2 hours of lab time after class very helpful. 

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Courses

99-360 IDeATe: E-Textiles

· 13 members

In this class, students learn to create active, responsive and flexible artifacts using microcontrollers, electroluminescence wire, muscle wire, and electronics embedded fabric. This course also pr...more


About

Inspired by the movement of the muscle wire, I thought about women eating and drinking in public while wearing the niqab. They usually use one hand to lift the niqab away from their face just enough to expose their mouth for the food but not so much where anyone else can see their face.

What if you could embed muscle wire into the niqab and have it lift away from the woman's face so that she can have both hands to use to eat and drink?