I think your third composition of the dancer is the strongest, though the one before it is a close second. I like it because even though you're mostly using very thin, short lines and colored dots to suggest the form of a body, you still get a great sense of motion and fluidity. I'm interested in the emotion drawings. I like the geometry of them, but I'm not really getting wonder. I wonder what other people think?
I think your third composition of the dancer is the strongest, though the one before it is a close second. I like it because even though you're mostly using very thin, short lines and colored dots to suggest the form of a body, you still get a great sense of motion and fluidity. I'm interested in the emotion drawings. I like the geometry of them, but I'm not really getting wonder. I wonder what other people think?
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